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She is petite and muscular, with a raspy voice and elf-like features.During dinner we talk mostly about , which tells the stories of three political prisoners: Alyokhina, who appears as herself; Oleg Sentsov, a Ukrainian filmmaker who is serving a 20-year sentence in Russian prison, and Petr Pavlensky, whose 2015 protest performance—dousing the entrance to FSB headquarters in gasoline and setting it on fire—inspired the play’s title.It’s hard not to feel anxious watching her be submerged for increasingly long periods: 15 seconds, 30 seconds, 45 seconds, and so on.
“We are showing freedom, and freedom does not exist if you’re not fighting for it,” she says.But few details had emerged until Alyokhina arrived in New York, when one independent Russian publication ran a bombshell feature detailing the unlikely love affair between a culture-policing Christian extremist and a blasphemous Pussy Rioter.“He’s kind of a homophobe,” Alyokhina says of Enteo, smiling nervously and dragging on a cigarette outside the theater. “For example what he said about LGBT flags—” her friend starts to reply but Alyokhina interjects in Russian. “It’s complicated,” Alyokhina tells me, as if to translate, then heads inside for rehearsal.After our morning interview was cut short, Alyokhina suggested we chat again later that night (“I’m not a morning person”) over dinner at a Japanese restaurant near her East Village hotel.Alyokhina is dressed in all black, as she was that morning, her wavy blond hair tucked under a black beret.
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But that didn’t stop a judge from convicting them of “hooliganism based on religious hatred,” arguing that they’d made “emphatically vulgar” gestures in the church and had “offended the feelings of religious believer[s].”When Alyokhina and fellow Pussy Rioter Nadezhda “Nadya” Tolokonnikova were released from jail in a flurry of media attention, Tolokonnikova was often described as the pretty one.